Style Prompts

A wide Japanese maki-e lacquer panel showing two white rabbits sitting among silver pampas grass under a large full autumn moon. The background is deep glossy black urushi lacquer with a mirror-like depth. The moon is a big disc of soft gold powder with a slightly mottled surface, placed in the upper right. The rabbits are built from raised takamaki relief in pearly white and inlaid mother-of-pearl with a faint rainbow shimmer, one looking up at the moon and one nibbling the grass. Long arching pampas plumes sweep across the lower half in fine sprinkled silver and pale gold, mixed with a few bush clover stems with tiny red-lacquer flowers and two or three falling maple leaves in red gold. A scattering of nashiji gold flakes glitters across the lower black ground like dew, and a thin flowing stream line of gold dust curves along the bottom edge. Fine hairline brush detail, delicate gradations from dense to sparse gold, a museum photograph of a polished lacquer box lid lit by soft studio light with a subtle reflection. Quiet, elegant, autumn moon-viewing mood. Wide landscape 16:9. No text, no calligraphy, no signatures, no seals, no logos.

A loose, expressive watercolor painting of a common kingfisher diving headfirst into a calm forest stream, in a wide landscape 16:9 composition on textured white watercolor paper. The bird is in the center of the frame, plunging almost vertically downward with its wings folded tight along its body: a brilliant cobalt and turquoise blue back and wings speckled with lighter blue, a rich rust-orange chest and belly, a small white patch at the neck, and a long dark dagger-like beak whose tip is just touching the water. Where the beak meets the surface, a burst of white splash and flying droplets rises, surrounded by concentric blue-grey ripples spreading across the water. In the upper left, a mossy olive-green branch reaches into the frame from the edge, with long slender drooping willow leaves hanging down the left side toward the water, the branch the bird has just left. On the right, a soft, blurry riverbank of green, teal, and yellow-green foliage washes is mirrored faintly in the stream. Wet-on-wet blooms, granulating pigment, loose drips and splatters, crisp details only on the bird and the splash, and the white of the paper left unpainted for highlights and as a soft vignette around the edges. Fresh, lively, natural mood. No text, no signature, no frame.

A Japanese ukiyo-e woodblock print of a small wooden ferry boat crossing a wide, calm river in autumn rain, in a wide landscape 16:9 composition on warm beige paper with visible fibers and wood grain texture. A long, low wooden boat sits in the center right of the frame, carrying three seated passengers under round oiled paper umbrellas, from left to right one vermilion red, one deep indigo blue, and one ochre yellow, the passengers wearing simple robes in indigo, ochre, and rust. At the stern on the right, a ferryman stands in a pale blue-grey robe and a wide conical straw hat, pushing a long wooden pole diagonally into the water. In the upper left, a red maple tree reaches into the frame with clusters of bright orange-red leaves, above a grassy, rocky near bank with tall reeds in the lower left. In the background, a misty grey-blue volcano-shaped mountain rises behind a hazy far shore with soft tree silhouettes on the right. Fine diagonal rain lines fall across the whole scene, the river shows gentle horizontal ripple lines, and the sky has a soft bokashi gradient from dark slate grey at the top to pale beige near the horizon. Flat color areas, fine black outlines, muted indigo, ochre, vermilion, and grey palette, quiet and contemplative mood. No text, no seals, no signature, no border.

A stained glass window panel of a great horned owl perched on an oak branch under a full moon, in a wide landscape 16:9 rectangular composition. The owl sits in the center of the panel facing the viewer, with tall pointed ear tufts, large glowing amber-orange eyes, a white throat patch, and mottled brown, tan, and black feather glass with fine painted detail. It grips a thick brown oak branch that runs across the lower third of the panel from left to right, with dark talons wrapped around it. Behind the owl, a large pale yellow full moon with soft crater markings sits slightly to the upper left of center. The night sky is built from irregular pieces of textured cobalt blue and deep violet glass with tiny bubbles, scattered with about a dozen small gold glass stars. Clusters of lobed oak leaves in emerald, lime, and olive green glass spread from the branch on both the left and right sides. Thick dark lead lines separate every glass piece, light shines through so the colors glow like a real window, and the whole panel is framed by a border of square ruby red textured glass tiles. Rich jewel tones, symmetrical, decorative, calm night mood. No text, no signature.

A handcrafted origami paper art diorama of dozens of folded paper cranes flying in a sweeping arc over a five-tier folded-paper pagoda at sunset, in a wide landscape 16:9 composition. About thirty origami cranes in crimson red, golden yellow, and cream white rise in a gentle curve from the lower left, just beside the sun, up and across to the upper right corner, each with sharp, crisp folds and visible paper grain. In the center, the pagoda stands on a stepped paper base with a small staircase at the top of a hill, built from natural cream paper with five tiers of upturned eaves trimmed in thin red edges, tiny railings, and small windows. A small pink folded-paper cherry blossom tree sits just left of the pagoda base, and a large cherry tree with a twisted brown paper trunk and clusters of pink paper blossoms fills the right foreground. Behind them, layered faceted paper mountains in beige, warm grey, and soft pink (pink on the left) recede in overlapping ridges, with crumpled beige paper hills in the foreground. A large flat orange textured paper circle sun hangs low on the left against a plain light grey-beige paper sky. Soft studio lighting with gentle shadows between the paper layers, shallow depth of field, warm and calm handcrafted mood. No text, no people.

A medieval illuminated manuscript page on aged, stained vellum showing a hooded beekeeper tending three woven straw bee skeps in a walled garden, in a wide landscape 16:9 page view. On the left, a large decorated initial letter at the top left is painted in lapis blue, vermilion red, and burnished gold with small floral patterns inside, followed by short blocks of dense, illegible blackletter-style script in dark brown ink, with the last two lines in red. On the right, a gold-framed miniature painting shows a beekeeper in a long brown hooded robe, face hidden in the hood, bending forward and holding a thin smoking stick toward three dome-shaped straw skeps with small dark entrances, standing on green grass dotted with tiny yellow flowers. Behind him rises a grey crenellated stone garden wall, an apple tree heavy with red-gold apples, pink and red roses, tall white lilies, and spikes of blue delphinium-like flowers, with small golden bees flying in the air. The whole page is surrounded by an ornate border of curling gold vines with blue and red acanthus leaves, and small painted snails sit in the bottom left corner and on the right edge. Flat gothic painting style, fine ink outlines, rich lapis blue, vermilion, and gold palette, gently worn edges. No legible text, no modern elements.

A loose, atmospheric watercolor painting of covered gondolas moored on the Grand Canal in Venice at dawn, in a landscape 4:3 frame on textured cold-press watercolor paper. In the lower left, three long black gondolas rest side by side, wrapped in dark blue-grey covers, one with a pale tan tarp, the front gondola's curved prow and metal prow ornament rising at the far left edge. Tall wooden mooring poles with red-and-white spiral stripes and small pointed caps stand in the water across the middle and right of the frame, some linked to the gondolas by sagging ropes and chains. Across the canal, a hazy, softly painted skyline of old palazzos stretches to the right, with a slender bell tower, and on the left a large domed baroque basilica with smaller domes and lanterns, in the spirit of Santa Maria della Salute, silhouetted against the light. The sky glows in soft peach, apricot, and lavender washes with drifting clouds. The calm water reflects the poles, gondolas, and sky in broken vertical strokes of violet, pink, and white. Visible brushstrokes, wet-in-wet blooms, granulating pigments, soft edges, and white paper showing through. Peaceful, romantic early-morning mood. No people, no text, no signature.

Convert the character in the reference image into a rough, Japanese-style digital doodle.

Overall style:
An extremely casual, rough and naive cute Japanese anime character doodle, as if drawn quickly with the rough crayon and marker brushes of an ordinary painting app. Keep the original character recognizable: hairstyle, hair color, facial features, outfit, accessories and signature expression.

Line art:

* Outline the character with obvious, rough black strokes.
* Line weight is very uneven: some lines suddenly get thicker, some break off.
* Contours are loose, inaccurate and slightly crooked.
* Lines have a clear hand-drawn grainy, smudged texture.
* Do not aim for precise outlines; misaligned, overlapping and incomplete lines are allowed.
* No fine, smooth vector line art.

Coloring:

* Use large areas of simple, opaque flat color.
* Colors may spill slightly outside the lines; missed spots and white gaps are allowed.
* Shadows use a few rough gray strokes or darker strokes of the same hue.
* Highlights are casual, short white strokes.
* Keep the rough texture of mixed crayon, pastel and marker.
* No complex gradients, detailed lighting or rich layers of color.

Facial features:

* Keep the original character's eye color, eye shape and signature look.
* Simplify the features; draw the eyes with thick black lines and simple color blocks.
* Keep the mouth as simple as possible; the nose can be left out.
* A few casual pink blush strokes can be added to the cheeks.
* Keep the character's expression and personality; do not change their temperament.

Hair and outfit:

* Fully keep the character's most recognizable hairstyle and hair color.
* Build the hair from a few large color blocks; do not draw lots of fine strands.
* Keep the outfit's original colors, silhouette and signature accessories.
* Heavily simplify clothing folds and decorations.
* Do not change the outfit or add accessories that are not in the original image.

Composition:

* 1:1 square canvas.
* Half-body portrait of the character, with a slightly oversized head.
* Character centered, with natural white space around them.
* Pure white background; no text, complex scenery or decorative borders.

Most important style constraint:
The image must be rough, scribbly, simple and naive, like a cute anime doodle drawn on a whim, not a polished illustration deliberately imitating a sketch.

No automatic retouching, no fine line art, no complex hair structure, no subtle gradients, no 3D effects, no heavy lighting, no added complex outfit details.

Final result: a low-finish Japanese anime digital doodle with rough black outlines, large flat color blocks, casual white highlights and an obvious crayon grain.

A traditional Japanese ukiyo-e woodblock print of Mount Fuji reflected in a calm lake at dawn, tall portrait 3:4. Mount Fuji rises in the upper half as a simple snow-capped cone with crisp indigo and white slopes, its perfect mirror image filling the still lake below. A pale peach and gold dawn sky washes behind the peak, with a few flat layered clouds in soft pink. Along the near shore, a thin line of dark pine silhouettes and a small empty wooden fishing pier sit low in the foreground; one empty skiff floats near the pier. Flat color blocks, visible woodgrain texture, fine ink outlines, classic Edo-period print style, quiet and balanced composition. No people, no text, no signatures, no seals, no watermarks, no letters.

Rainy alley, one neon kanji sign half-out, female Japanese figure wearing cropped jacket tank top, pleated mini-skirt, patent high-heeled over-the-knee boots, under a clear umbrella that catches magenta light. Camera low. No face shown. Mood: waiting for a reply that isn't coming. Soft grain, no film logo.

Optional prefix for extra punch: Cel Shaded Art,

[Your character], full-body view, wearing:

olive green knitted cape cardigan, wide flowing poncho silhouette, hip length cape with continuous fabric draping from shoulders to hem, broad sloping sides and loose open lower edges, round neckline with warm chestnut brown knitted Peter Pan collar, two rounded collar lobes with scalloped edges, layered textured brown knitting across collar, small embroidered red mushrooms with white spotted caps and ivory stems on both collar tips, chestnut brown knitted cords tied in a long loose bow at center neckline, long brown cord ends hanging down chest, olive green center front button band, single vertical row of small round ivory buttons with decorative silver rims, two raised olive green cable knit columns flanking button band, dense horizontal knit stitches across cape body, raglan style knitted shoulder lines, scattered red and ivory mushroom embroidery near both lower front sides, dark green embroidered winding stems and tiny leaves, gently flared olive green hem, brown collar and olive green cape body

A tall vertical Aubusson-style medieval tapestry of a white unicorn lying down in the center of a walled rose garden, portrait 3:4. The unicorn rests on a millefleurs meadow of tiny red, blue, pink, and white flowers, with a creamy flowing mane and tail, a slender spiral horn, and a red collar with a small gold bell, facing slightly left. On the LEFT a stylized pomegranate tree bears several ripe red fruits. On the RIGHT a rose-covered stone wall has an arched wooden door that is closed, not wide open, with climbing pink and crimson roses over the arch. Woven tapestry texture with slightly faded vegetable-dye reds, blues, and moss greens, and an ornate floral border on all four sides. No readable text, no people, no logos, no watermarks.

A wide horizontal landscape hand-painted illustration of [LANDMARK NAME] in [CITY/COUNTRY] with strong emphasis on negative space and quiet composition.

The image features a warm off-white cream paper background that occupies 40-50% of the total canvas, creating generous blank margins and breathing room.

The [LANDMARK NAME] is positioned slightly off-center as a calm visual anchor, depicted through simplified [KEY ARCHITECTURAL FEATURES - e.g., "towering structures", "iconic silhouette", "distinctive archways"] with loose, expressive brush strokes. The landmark is suggested through minimal rhythmic marks and abstract color blocks in deep teal, cobalt blue, and forest green, rather than drawing every architectural detail precisely.

The composition is sparse and uncluttered: only a few carefully placed elements including 2-3 tiny human figures [DOING TYPICAL ACTIVITY - e.g., "walking", "taking photos", "sitting"] rendered as simple silhouettes in coral red and mustard yellow, one small [CONTEXTUAL ELEMENT - e.g., "cafe table", "bench", "street vendor cart"] with minimal shapes, two or three [NATURAL ELEMENTS - e.g., "potted plants", "trees", "flowers"] in emerald green, and subtle [CULTURAL/ARCHITECTURAL HINTS - e.g., "traditional roof lines", "modern glass panels", "historic columns"].

Large areas of the warm paper background remain completely untouched, especially around the edges and between elements.

The style combines mid-century travel poster aesthetics with contemporary [REGIONAL] editorial illustration: elegant, minimal, warm, cultured, and slightly nostalgic.

The texture shows loose hand-painted gouache and pastel marks with dry brush strokes, pastel smudges, wax-crayon edges, uneven color patches, imperfect handmade edges, and visible gaps between colored areas.

Colors are layered, dry, and tactile with a restrained palette of deep teal, sky blue, coral red, salmon pink, mustard yellow, ochre, terracotta, and small near-black accents, but used sparingly so each color can breathe against the paper.

The overall mood is quiet, spacious, relaxed, refined, like a sophisticated [CITY] cultural postcard or handmade art print suitable for premium lifestyle merchandise.

The landmark remains recognizable through its essential identity—[DEFINING CHARACTERISTICS]—but the drawing stays airy, calm, poetic, and softly abstract.

Strong sense of pause, breath, and refined emptiness with confident use of blank space.

No crowded composition, no full-bleed busy background, no photorealism, no glossy digital rendering, no clean vector art, no 3D rendering, no text, no signage, no logos, no readable text.

{
  "aspect_ratio": "9:16",
  "style": "Black and white manga ink sketch, detailed hand-drawn illustration",

  "prompt": "A beautiful young anime woman with large expressive eyes, long eyelashes, full lips and a dreamy sideways gaze. Extremely voluminous messy black hair tied in a loose high bun, with wispy bangs and wild flowing flyaway strands. Her head is slightly tilted, resting gently on one hand, with naturally curved fingers supporting her cheek. She wears an oversized black sweater with loose sleeves and detailed fabric folds. Medium close-up portrait, head and upper torso visible, centered composition. Intricate black ink linework, fine cross-hatching, delicate pencil shading on the face, dense black hair strokes with white highlights, expressive sketchy outlines. Pure white paper background with a tiny hand-drawn heart doodle in the upper right corner. Strong black and white contrast, authentic manga illustration, elegant, dreamy and playful.",

  "negative_prompt": "Color, 3D, photorealism, watercolor, extra fingers, distorted face, messy background, text, watermark, blurry details"
}

A traditional black-and-cream linocut print of a crowded European Christmas market at night, tall portrait 3:4. A narrow cobblestone lane runs between wooden market stalls with peaked snow-covered roofs; a dense crowd in heavy winter coats and hats walks between the stalls. In the background a tall ornate Gothic cathedral spire rises into a solid black sky filled with falling cream snow dots. Three strings of round festival lights swoop across the upper third with soft white halos. Left stall shows jars and hanging ornaments; right stall sends a plume of steam from a tray of roasted chestnuts. High-contrast hand-carved hatching, block-print woodgrain feel, ink-black and cream paper only, lively winter-night mood. No readable shop names, no logos, no watermarks, no modern brand marks.